Reference for WTF/WT Taekwondo students. Start with Yin–Yang fundamentals, then the eight Bagua trigrams, then how these ideas inform Taegeuk poomsae and Kukkiwon symbolism.
陰 Yin receptive, cool, dark, sinking, restful. 陽 Yang active, warm, bright, rising, expressive. They are complementary phases of one process, not moral opposites.
| Yang | Yin |
|---|---|
| Active, expanding | Receptive, consolidating |
| Light, heat, day | Shade, cool, night |
| Heaven, fire, summer | Earth, water, winter |
| Assertive, external | Reflective, internal |
Martial lens: power alternates between hard/expansive (Yang) and soft/absorbing (Yin). Effective poomsae and sparring express rhythm between the two.
Each trigram is three stacked lines: solid ⚊ for Yang, broken ⚋ for Yin. Eight distinct patterns describe fundamental situations in nature and action.
| Symbol | Name | Chinese | Image | Quality in practice |
|---|---|---|---|---|
| ☰ | Qian / Geon | 乾 | Heaven | Initiating, creative, uncompromising focus |
| ☷ | Kun / Gon | 坤 | Earth | Receptive, steady base, adaptive footwork |
| ☲ | Li / Ri | 離 | Fire | Clarity, timing, precise striking |
| ☳ | Zhen / Jin | 震 | Thunder | Explosive start, shock, forward drive |
| ☴ | Xun / Seon | 巽 | Wind/Wood | Penetrating, continuous pressure, angles |
| ☵ | Kan / Gam | 坎 | Water | Yield then flow, trap-and-counter |
| ☶ | Gen / Gan | 艮 | Mountain | Rooting, stopping power, guard integrity |
| ☱ | Dui / Tae | 兌 | Lake/Joy | Relaxed readiness, elasticity, breath |
Lower vs upper trigrams in a hexagram: the lower suggests inner condition or method; the upper suggests the outer situation or objective. The I Ching combines two trigrams to form 64 hexagrams.
Modern Kukkiwon poomsae (Taegeuk 1–8) were developed 1967–1972. Each form encodes one trigram’s idea through directional stepping and energy quality.
| # | Korean | Hanja | Trigram | Meaning | Practice cues |
|---|---|---|---|---|---|
| 1 | Geon | 乾 | ☰ | Heaven | Initiate decisively. Long lines. Clean hip drive. |
| 2 | Gon | 坤 | ☷ | Earth | Stable base. Even tempo. Low stances done well. |
| 3 | Ri | 離 | ☲ | Fire | Show clarity and timing. No extra motion. |
| 4 | Jin | 震 | ☳ | Thunder | Explode from stillness. Sharp first beats. |
| 5 | Seon | 巽 | ☴ | Wind/Wood | Continuous path. Penetrate lines and guard. |
| 6 | Gam | 坎 | ☵ | Water | Absorb then issue. Counter-flow rhythm. |
| 7 | Gan | 艮 | ☶ | Mountain | Stop cleanly. Root before technique. |
| 8 | Tae | 兌 | ☱ | Lake/Joy | Relaxed power. Elastic breath and joints. |
Naming: you may also see “Taegeuk 1 Jang … 8 Jang.” The older Palgwe set used the same eight ideas with different choreography.
The Kukkiwon identity uses several layers of symbolism that relate to Yin–Yang and the trigrams:
Prepared for Kang's Tulsa Taekwondo school. Educational reference for testing and form study.
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